Reviews and Interviews
for Yellow
Scroll down for reviews from Publishers Weekly, Booklist,
and Kirkus Reviews.
- Chicago
Tribune review
- BookPage
review
- Poets & Writers online interview
- Identity Theory:
Interview with Robert Birnbaum
- City (Rochester)
- Korea Times
- AsiaWeek
- LA
Weekly
- New
York Times Book Review
- Washington
Post Online Chat
- WritersMarket.com
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- Washington
Post By far the best article about Yellow was by Tim
Rutten of The Los Angeles Times, May 1, 2001: "Don
Lee's Revealing Visit to Rosarita Bay" (article fee)
PUBLISHERS
WEEKLY
[starred] Set mostly in Rosarita Bay, a
fictional coastal town near San Francisco, this debut collection from the
editor of the literary journal Ploughshares traces the lives (usually the
romantic lives) of a motley assortment of male protagonists. Lee examines
the circumstances of Asians living in white society, as well as the
differences and occasional tensions, mostly unnoticed by Anglos between
persons of various Asian descents. "The Price of Eggs in China"
finds gifted furniture designer Dean Kaneshiro caught in the middle of a
feud between his girlfriend, Caroline Yip, and Marcella Ahn (aka the
Oriental Hair Poets). Caroline is convinced that the more successful
Marcella exists only to torment her, and Dean hatches a dubious plan to end
their years-old rivalry. In "Voir Dire," public defender Hank Low
Kwon grapples with his representation of a cocaine addict accused of beating
his girlfriend's infant son to death. Hank's anxiety over the case and his
occupation in general is exacerbated by the pregnancy of his own girlfriend,
Molly, a blonde diving coach. And Korean-American oncologist Eugene Kim
contemplates the peculiarities of mixed-race romances in "Domo
Arigato," recalling an ill-fated weekend spent in Japan 20 years ago
with a white girlfriend and her parents. Eugene wonders if "you
couldn't overcome the hatreds of countries or race, any more than you could
forgive someone for breaking your heart." Hatred and heartbreak,
though, are mitigated by Lee's cool yet sympathetic eye and frequently dark
sense of humor, as when, in the title story, young Danny Kim watches in
horror as a drunk kisses his father on the mouth and proclaims, "I
forgive you for Pearl Harbor." Agent, Maria Massie. (Apr.)Forecast:
This appealing collection shouldn't be relegated to Asian Studies shelves.
The fact that Norton is the publisher, coupled with word-of-mouth interest
among the literary set, may boost crossover appeal. Copyright 2001 Cahners
Business Information, Inc. BOOKLIST
[starred] Just imagine Annie Yung. She's 38, with a good software job in
Silicon Valley, but now she's listening to Patsy Cline, wearing tight jeans,
cowboy boots, and a "bleached-blonde hairdo that looked for all the world
like a plastic stalagmite." She's looking for love in a cowboy bar in
Rosarita Bay (aka Half Moon Bay, California). It's no surprise that the guy
she meets turns out to have as many complications as she does. And Annie is
typical of the Asian American characters you'll meet in these lyrical and
intriguing short stories. There's surfer Duncan Roh, whose search for a woman
to marry is getting nowhere. One of his lovers is a reference librarian whom
he met at a meditation class where she was seeking relief from the great
stress in her life caused by people asking stupid questions. She dumps Duncan
for his lack of self-awareness. Each of Lee's achingly vulnerable characters
deals with totally believable fears, plus an added layer of racial awareness.
The final story, "Yellow," sums it all up in the struggles of
handsome Danny Kim, whose perspective is continually skewed by his fear of
racism. The Rosarita Bay setting provides connection, but the characters also
mingle, adding texture to a compelling, beautifully written collection. Peggy
Barber. Copyright © American Library Association. KIRKUS
Debut collection of seven intelligent short stories and a novella about
Asian-Americans, mostly centered in coastal California, by the editor of
Ploughshares. Even at sea in a fishing boat, Lee anchors readers in the minds
of his characters, who are deeply immersed in their occupations: piloting,
engineering, golfing, making chairs, or even taking up amateur boxing. Yet
work is always a vehicle through which the author defines characterizations
and reveals emotion. In "The Price of Eggs in China," two
poets-rich, swaddled Marcella Ahn and slobby, struggling Caroline Yip-publish
at the same time, get reviewed in tandem, and then fade. Six years later,
Caroline takes up with Dean Kaneshiro, an artist who hand-sculpts chairs
(bought by the White House), but then finds her life again invaded by
Marcella, who wants Dean for herself. "Widowers" limns two different
responses to loss. Charter boat captain Alan Fujitani, whose wife died 20
years ago, takes a 22-year-old woman out to sea to dump her despised husband's
ashes into the waves. They later strike up a wavering affair, though Alan is
still heartbroken, haunted daily by memories of his dead spouse. Lee's most
ambitious piece here is the novella, "Yellow," which gets under the
skin of Korean Danny Kim. A dashingly athletic and handsome student who beds
but fails to stick with several white girls, he finally marries a Korean
chosen by his mother. His wife is the first Asian woman he 's ever slept with,
and the marriage nearly dies under the pressure of his supremely disciplined
climb toward a partnership in a Boston engineering firm. Danny's response to
race prejudice is to attempt to rise above his skin. His story has an
absolutely wonderful twist impossible to foresee, and it demonstrates Lee's
strength in a longer form. Memorable. May the author now fearlessly face a
novel.
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